David Liss has created a special niche in historical fiction. His books provide a rich portrait of difficult business and social interactions at pivotal points in commercial history. My first exposure to his work was The Coffee Trader which takes place in 1659 in Amsterdam at the beginning of coffee as an international commodity. In each of his novels the main protagonist is Jewish, well-versed in the different business and social customs of the times and often at odds with those governing Jewish communal norms in the city. Liss is expert at describing the look of the city, its clothing and foods, taverns and houses of worship, elite and servant classes.
In The Day of Atonement, Liss brings a young man, Sebastian, back to Lisbon from London in 1755, during the latter days of the Inquisition. Sebastiao Raposa was smuggled out of Lisbon a decade earlier just as his family was taken by Inquisition. While in London he had been mentored by a man with a keen eye for business and conspiracies as well as great fighting skills. As Sebastian Foxx he returns to Lisbon with the intention of seeking retribution against those that destroyed his family, killed his father and separated him from his first love.
Every aspect of the story is seen through Sebastian’s eyes. Characteristically, the priests of the Inquisition pitted neighbor against neighbor and were ever vigilant to any inkling of Judaization among New Christians, those Jews who were forcibly converted to Catholicism more than 200 years earlier. Lisbon was at the nexus of international trade and English Protestants were major traders, forming an alliance for their own protection. Both New Christians and Protestants were at peril of being imprisoned by the Inquisition at any time for almost any reason. Continue reading David Liss’ The Day of Atonement – Audiobook review

to back-breaking slave labor conditions, felling trees, digging roadways and other activities designed to increase the Nazi reach. In the historical novel, 

Is it the story or the storyteller? I’ve just completed a three-month trial with Audible.com. Selecting titles was harder than expected. Unlike picking a book off the shelf, choosing an audiobook involves the content and the reader. And can those readers differ. I sampled a few titles I am itching to read in the hope they’d fit the bill. What I discovered is that tone, cadence and pacing all factor into the audiobook experience. In the sampling process you don’t always have the chance to hear how the reader handles different characters/voices, a critical feature in experiencing the story. As a result, there were several titles I immediately dismissed in this format. There are many people who only “read” via audiobooks. I’m not there and suspect I will only dabble in this medium. But for those are unable to view the written word or prefer listening, there are readers who truly elevate an author’s story.