RELEASE DAY REVIEW: If You Want to Make God Laugh

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  • If You Want to Make God Laugh by Bianca Marais (Putnam) July 16, 2019
  • In 40 words or less: At the start of Mandela’s presidency, South Africa’s changes are seen through the lives of estranged white sisters and a black teenager. Living in a community wrestling with conflicts of old and new, the women confront secrets that define them.
  • Genre: Fiction
  • Locale: South Africa
  • Time: 1994
  • In her second novel, Bianca Marais once again uses a defining moment in South Africa’s history as the backdrop for her story.

If You Want to Make God Laugh is told in three voices – Ruth, a fading socialite; Delilah, Ruth’s sister who returns from decades as a nurse in the wild; and Zodwa, a teenage girl with dreams of educating herself to be a part of the New South Africa.

After the breakup of her marriage, Ruth returns to the family home to lick her wounds and figure her next move. Out of the blue her sister, Delilah, appears, having received a letter that a gunshot has left someone dear to her in very critical condition. Zodwa fails in ending an unexpected pregnancy, endangering her prospects for an education, and dashing the hopes of her mother who is herself facing serious health challenges.

Laugh is a novel of three women each taking charge of her own life within the realities of the “new” South Africa. In this novel, politics are less a player than the periodic conflicts the women face in dealing with those seeking to wrest back the power and prestige of the Apartheid days. This is also the period when AIDS became rampant in South Africa, with misinformation, superstition, and prejudices. Bigotry, denial, and a profound lack of medical resources and support for patients and families created a far larger crisis for a country undergoing political and social upheaval.

Bianca Marais is a wonderful storyteller, clearly distinguishing her characters and their voices. To help frame her stories, she paints a full picture of the setting so the reader can visualize the space or location without any sense of being bogged down with details.

As an early reader of both of Bianca Marais’s novels, I’ve had the opportunity to take them in, unencumbered by the opinions of others.  Hum If You Don’t Know the Words (review here) sent me searching for more on the Soweto uprising. Even those generally well-informed, had little access at the time to on the ground reporting. “Seeing” the events through the eyes of the characters gives a different perspective on history.

For me, Laugh is a more universal story, colored by the historic changes in South Africa. It is a novel of finding oneself, creating family, and forgiveness.  The issues Ruth, Delilah, and Zodwz face are also very contemporary – sexual abuse, militant white nationalism, the AIDS crisis, and women needing to reclaim their lives from trauma. In both books, Bianca’s love of the country of her birth shines through.

While each stands on its own, Hum definitely begat Laugh, with connections from one to the other. It is reassuring to see beloved characters return, if briefly, and know in fiction, as in life, there is influence from one generation to the next.

 

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Hum If You Don’t Know the Words

  • Hum If You Don’t Know the Words by Bianca Marais (Putnam), July 11, 2017
  • In 40 words or less: Beginning with the Soweto uprising, a young white girl and a Xhosa woman are thrown together as a family. Their complementary narratives enrich insights into life under apartheid. Great book!
  • Genre: Literary Fiction
  • Locale: Johannesburg, South Africa
  • Time: 1970s
  • Forty years after the uprising that began the end of Apartheid, this novel opens a door to the challenges of life for the Blacks and others in South Africa fighting for change. A wonderful novel of people in very difficult times.

Robin is a young Anglophone girl growing up in South Africa. Bullied by her Afrikaans schoolmates, she is very concerned about living up to her parents’ expectations. Her father is a manager in a mining operation, overseeing Black workers. When her parents receive a last minute invitation to a business function Robin’s life is changed forever. En route to the event, Robin’s parents are ambushed and murdered. So starts Hum If You Don’t Know the Words. Robin and her housekeeper are dragged to a notorious police station where the housekeeper is brutalized. Robin is turned over to her only relative, her Aunt Enid who lives in Johannesburg. After gathering up a small suitcase, Robin’s past life is left behind.

Beauty Mbali is a well-educated teacher living with her sons in the Transkei. Looking to improve her daughter’s life, she sends her to Johannesburg to live with relatives and attend a superior school. After receiving a message that her daughter may be in trouble, she travels for more than a day to Soweto to see her. Beauty arrives in the midst of the first day of the student marches, discovering that her daughter is in the leadership and is now missing. Beauty will do whatever it takes to find her daughter.

Robin isn’t the only one adjusting to her family’s trauma. Enid is a stewardess and modern single woman with no one to account to but herself. Though she tries, upending her life to provide the care Robin requires herself is neither practical nor within her skill set. She reaches out to her network of friends, many of whom are anti-Apartheid supporters, for help. Through these channels, Beauty becomes Robin’s caregiver, confidant, and lifeline. This allows Beauty to remain in Johannesburg, though illegally, so she can continue to search for her daughter.

Bianca Marais has created two rich communities to tell her story. Bit by bit, Robin’s world expands. Her one friend is a Jewish boy, homeschooled because of the anti-Semitic bullying he receives at school. His apartment becomes a safe space and his family’s customs a source of curiosity. Enid has several gay male friends who are at times endangered by the authorities. At times it is difficult for Robin to distinguish friend from foe.

During the continuing search for her daughter, Beauty reveals elements of her family and its past. Protecting all her children leaves her torn – caring for a white child while her sons are back home and her daughter missing. Her search takes her through Soweto, balancing secrecy with her goal. Vivid descriptions of afterhours gathering places and the leaders and hoodlums that are all part of the growing uprising enrich both the story and the reader’s understanding of the times.

Both Beauty and Robin are leading their lives as survivors rather than as victims.  Not always optimistic, each demonstrates inner strength consistent with her position in life. Neither is perfect and these flaws are key to the story.

As a blogger and book group leader, I have the chance to read some books before they are published or reviewed. It can be a crapshoot – some good, some meh and some not worth finishing. And then there are the special books.  I love Hum If You Don’t Know the Words. There are twists, even in the beginning. As I read I could see the story unfold, almost as if a movie was taking place in my mind. This is Bianca Marais’s debut novel. It has been selected as an Indie Next selection for this month and has gotten well-deserved advance accolades. It is a great pick for book groups and to share.

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