RELEASE DAY REVIEW: If You Want to Make God Laugh

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  • If You Want to Make God Laugh by Bianca Marais (Putnam) July 16, 2019
  • In 40 words or less: At the start of Mandela’s presidency, South Africa’s changes are seen through the lives of estranged white sisters and a black teenager. Living in a community wrestling with conflicts of old and new, the women confront secrets that define them.
  • Genre: Fiction
  • Locale: South Africa
  • Time: 1994
  • In her second novel, Bianca Marais once again uses a defining moment in South Africa’s history as the backdrop for her story.

If You Want to Make God Laugh is told in three voices – Ruth, a fading socialite; Delilah, Ruth’s sister who returns from decades as a nurse in the wild; and Zodwa, a teenage girl with dreams of educating herself to be a part of the New South Africa.

After the breakup of her marriage, Ruth returns to the family home to lick her wounds and figure her next move. Out of the blue her sister, Delilah, appears, having received a letter that a gunshot has left someone dear to her in very critical condition. Zodwa fails in ending an unexpected pregnancy, endangering her prospects for an education, and dashing the hopes of her mother who is herself facing serious health challenges.

Laugh is a novel of three women each taking charge of her own life within the realities of the “new” South Africa. In this novel, politics are less a player than the periodic conflicts the women face in dealing with those seeking to wrest back the power and prestige of the Apartheid days. This is also the period when AIDS became rampant in South Africa, with misinformation, superstition, and prejudices. Bigotry, denial, and a profound lack of medical resources and support for patients and families created a far larger crisis for a country undergoing political and social upheaval.

Bianca Marais is a wonderful storyteller, clearly distinguishing her characters and their voices. To help frame her stories, she paints a full picture of the setting so the reader can visualize the space or location without any sense of being bogged down with details.

As an early reader of both of Bianca Marais’s novels, I’ve had the opportunity to take them in, unencumbered by the opinions of others.  Hum If You Don’t Know the Words (review here) sent me searching for more on the Soweto uprising. Even those generally well-informed, had little access at the time to on the ground reporting. “Seeing” the events through the eyes of the characters gives a different perspective on history.

For me, Laugh is a more universal story, colored by the historic changes in South Africa. It is a novel of finding oneself, creating family, and forgiveness.  The issues Ruth, Delilah, and Zodwz face are also very contemporary – sexual abuse, militant white nationalism, the AIDS crisis, and women needing to reclaim their lives from trauma. In both books, Bianca’s love of the country of her birth shines through.

While each stands on its own, Hum definitely begat Laugh, with connections from one to the other. It is reassuring to see beloved characters return, if briefly, and know in fiction, as in life, there is influence from one generation to the next.

 

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Escape to ‘Manhattan Beach’

  • Manhattan Beach by Jennifer Egan (Scribner) 2017
  • In 40 words or less: Eddie Kerrigan could do no wrong in his daughter Anna’s eyes. After he disappears, she helps support her family during WWII at the Brooklyn Navy Yard, pushing the limits of “women’s work.” Anna never stops wondering what happened to her father.
  • Genre: Literary fiction
  • Locale: New York
  • Time: 1930’s and 40’s
  • Jennifer Egan has a new twist on the Rosie the Riveter story, set in a working-class neighborhood in New York. From page one, Anna is smart and strong-willed, equally devoted to her family and her personal success.

The Depression has seen a reversal in the Kerrigan family fortunes. While Eddie loves his wife and both daughters, his wife Agnes has to devote almost all her attention to Lydia, disabled from birth and homebound. Agnes left a dancing career to raise her family, only retaining her exquisite costuming skills to help in its support. In Anna, Eddie sees a buddy, ready to accompany him on his rounds, and keep his secrets when needed. Financial pressures and the stresses of living in close quarters draw Eddie away from home, often with little explanation.  One day he just doesn’t return.

Almost a decade later Anna secures a technical job at the Brooklyn Navy Yard, ensuring that precision parts meet specifications. Her off-hours are focused on her mother and her sister, whose physical needs are becoming more taxing. Anna makes the acquaintance of another worker who draws her into a life of nightclubs and men who are living on the edges of legality. Anna meets the nightclub owner, a man she met as a child on a visit with her father and gives him a false name, one of several secrets in her new life.

The tedium and low pay of the jobs reserved for women send Anna in search of alternatives at the Navy Yard. The most difficult position is that of a diver, working on the hulls of ships and performing repairs in total darkness underwater wearing hundreds of pounds of equipment. Against many odds, Anna is given a chance to compete for a spot.

Jennifer Egan has the knack for storytelling and enriching it with the little details that take a novel to the next level. For lovers of New York, there is the flavor of New York life, it’s neighborhoods and social fabric. If the role of women in the war effort is your thing, it’s there in spades. And then there is organized crime, the black market, and its prominent place in the entertainment business of the era. If told on its own, the family story of the Kerrigans would be compelling. Egan doesn’t play it for pathos, rather as cards the family has been dealt. This novel has all the attributes that the individual reader or book club seeks out – conflict, fully developed characters, and a setting that supports the plot in all its details. Manhattan Beach is consistent with the high-level writing people expect from Jennifer Egan.

 

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Nature, nurture or fate? ‘The Immortalists’

  • The Immortalists by Chloe Benjamin (G.P. Putnam’s Sons) January 2018; Penguin Audio, Maggie Hoffman – Narrator
  • In 40 words or less: Four young siblings, ages 9 – 13, seek out a fortune teller who predicts the date of each one’s death, unknown to the others. One by one, Benjamin reveals their lives, times, and choices, always with death at hand.
  • Genre: Literary fiction
  • Locale: VariousUSA
  • Time: 1969 – 2010
  • Chloe Benjamin adeptly mixes iconic American locales with carefully selected elements of history and popular culture to tell a family story and ask the recurring question, “How would you live your life if you knew the number of your days?”

The Immortalists has haunted me for months. So appropriate for a novel created on the premise that knowledge, kept secret, may dictate the choices of one’s entire life.

Varya, Daniel, Klara, and Simon Gold are the children of Saul, a tailor, and Gertie, living on the Lower East Side in 1969. The children are second generation Jewish Americans, living in a community and world markedly different from their elders. Having heard rumors of a psychic, the four seek her out, and each is told the date of his/her death and that they must not share that information with anyone, ever.

One by one, Chloe Benjamin reveals each child’s path to adulthood. Though never discussed, this one afternoon is a burden that the four carry throughout their lives. In many ways, it is the secrets more than the information itself that color the relationships within the family and with those they touch.

It takes particular skill to craft a novel that balances the isolation and connection of a family from childhood. Chloe Benjamin uses carefully chose locales and time periods to reveal each personality and reflect the defining and oppressive nature of each person’s countdown clock.

In the news and in individual conversations, the devasting cost of keeping secrets is a common topic. As I turn over my continuing reaction to The Immortalists, I wonder how many choices in life are responses to secrets, overriding nature and nurture with fear.

This book is worthy of all the accolades it has received. I listened to the audiobook, and while I had small issues with the narrator’s voice choice for the mother, I was completely caught up from the first moment. It is the mark of a beautifully crafted novel when the reader wants to intervene in the lives of the characters. When the characters stay long after the final page, that’s a book that must be shared.

 

 

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Be transported with ‘Gateway to the Moon’

  • Gateway to the Moon by Mary Morris (Nan A. Talese, Doubleday) April 2018
  • In 40 words or less: Brilliant storytelling and character development propel the reader from the Spanish Inquisition/Expulsion and Columbus’s exploration to the desert of New Mexico five centuries later. Morris weaves together history, astronomy, human frailty, and the strength of family bonds across generations.
  • Genre: Literary fiction/Historical fiction
  • Locale: Spain, Portugal, New World, and New Mexico
  • Time: 1492-1500 and 1992
  • A rare novel combining two periods of discovery. Historical figures are carefully researched and noted as such in the listing of characters and families. Gateway to the Moon is also a coming of age story for a teen whose connection to the stars is his solace and path to the future.

As long as I’ve been in book groups I’ve searched for an engrossing novel that brings to life the conflicted period of Spain’s ascendancy as a world power and the injustices and horrors of the Inquisition and the Jews expulsion from Spain. Even less common are writings about those along on Columbus’s first expedition and what may have transpired with those left behind as the ships returned to Spain. Finally, there is a book that fills this void.

Mary Morris has the special hand required to mix history and historical figures with fictional characters with due respect to both. Even before Chapter 1 begins, Morris provides a framework for navigating the pathway from fact to fiction and back.

Miguel Torres has his feet in the dust of Entrada de la Luna and his eyes in the stars. A loner, he is fascinated by space and his thirst is recognized by his science teacher who works to keep him on the straight and narrow. Poverty and boredom are often the ticket to “juvie”, a brief trip Miguel has already taken. A chance sighting of an ad for someone to help with two small boys after school may be the way for Miguel to afford a better telescope and car money. Respectful of his elders, but in large measure raising himself, he’s dutiful about heading home Friday nights where his mother prepares the trailer for candle lighting.

The story shifts 500 years to 1492. Among those on Columbus’s ships as they left Spain in 1492 were linguists, navigators, and cartographers from the crypto-Jewish community who lives would have been at risk as the Inquisition and Expulsion pressures increased. Separated from their families, these men and boys held out hope they’d find a new home for themselves and their families at the end of their voyage. Through Luis de Torres, Columbus’s scribe, others on the ships and those left behind, Morris richly describes the fragmenting of families even as Columbus anticipates riches and glory.

This is a book filled with beautiful language. Descriptions provide just enough detail to conjure up pictures without detracting from the characters or plot. While Columbus and Miguel look to the stars for orientation, each of the other characters must adapt to the unexpected and does so in a fitting and natural way which isn’t easy to pull off.  Chapter titles provide orientation in time and place, and the character lists and genealogy at the front of the book are there in the event the reader is momentarily distracted from the story’s flow.

The Jazz Palace, Mary Morris’s previous book set in Chicago during the early years of the 20th century, took on history, the development of jazz, discrimination, and families. While that was a big undertaking, Gateway to the Moon takes on a bigger challenge and brings it home. Whether your taste runs to coming of age stories, hidden communities or history brought to life, you will find it in Gateway to the Moon. This is an ideal book for book groups and will quickly push its way to the top of your to-be-read pile.

 

 

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Anita Shreve’s fiery novel of coastal Maine

  • The Stars Are Fire by Anita Shreve (Knopf), April 2017
  • In 40 words or less: A young mother’s life is upended when a catastrophic wildfire destroys her home and community. Naive and untested, she finds strength and resilience as she builds a new life for her family. Inspired by an October 1947 fire.
  • Genre: Fiction
  • Locale: Maine
  • Time: 1947-50
  • Anita Shreve lulls the reader with the rich details of small town domestic life. Deftly altering the pace as events overtake the commonplace, Shreve recalibrates the storytelling for the transformations to come. A perfect summer read for anyone with an affinity for Maine and the self-reliance of its residents.

In The Stars Are Fire Anita Shreve paints a picture of village life in coastal Maine shortly after the end of World War II. Young families are being created by those who’ve returned from the war, there is some spare money for the first time since the Depression and there are good jobs, at least for the men.

Grace Holland is the mother of two toddlers. She and her husband Gene are not really in synch. Gene has an excellent job with good prospects. Grace tries to make the best of her life despite being unfulfilled in many ways. Her neighbor and best friend, Rosie, has a joyful and spontaneous life that amazes Grace. Where Grace’s life is structured, orderly and unstimulating, Rosie’s is disorganized and vibrant. Rosie and her family bring joy to Grace’s days.

As always, the rhythms of Maine life are dictated by the weather. Storms can be widow-makers for those dependent on fishing for their livelihoods, including Grace’s father. Unending rain or snow can make travel impossible and bring new meaning to cabin fever. But it is drought that can turn clear blue skies perilous.

The endless spring rains give way to a sparkling clear summer. By fall, fire danger warnings are constant. When a large fire approaches both Grace’s and Rosie’s husbands are off to help keep it at bay. As the fire overtakes them, Grace’s quick thinking saves both women and their children. When they are found by rescuers their homes are gone and Grace is seriously injured. Rosie is reunited with her husband but Gene is missing. With all this uncertainty, Grace must make a life for herself and her family.

Grace comes into her own in this new role. With no alternative, she, her mother and children move into her late mother-in-law’s home. This decision changes everything.

Anita Shreve creates in Grace a woman who will not let tragedy define her. Rather than retreating, she chooses to embrace the uncertainties she faces and determine her own future.  Shreve beautifully crafts her settings and describes the details that add depth to the story. These are some of the reasons Anita Shreve is a perennial favorite.

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