‘Waking Lions’ is a contemporary thriller and morality tale

  • Waking Lions by Ayelet Gundar-Goshen (Little, Brown and Company) 2017. Translated by Sondra Silverston.
  • In 40 words or less: After a long night at work, Dr. Eitan Green decides to run his car in the desert. In the darkness, he hits an Eritrean man, leaving him to die. The repercussions go far beyond one man, his family or community.
  • Genre: Fiction
  • Locale: Beer Sheva, Israel
  • Time: Contemporary
  • Gundar-Goshen’s novel pushes the boundaries of genre and could take place in many countries where refugees illegally cross borders in desperation.

“A writer is like a pickpocket: they want what belongs to others and make it their own. But by doing that they are inevitably caught, not by the police, but by their own story.” Ayelet Gundar-Goshen in a guest post for the blog The ProsenPeople

Ayelet Gundar-Goshen grabs the reader from page one and never lets go. Eitan Green is a rising star neurosurgeon in Tel Aviv when he gets on the wrong side of his mentor and is “exiled” to Beer Sheva, a far less prestigious placement. After a rough night, he decides to take his new SUV for a drive in the desert before going home to his wife Liat, a police detective, and his two sons. The road is dark, empty and wide open – until it’s not. Eitan hits a man, stops and realizes the injuries will be fatal. Recognizing that the man is Eritrean, and likely a refugee, Eitan makes a split second decision that nothing can be done for the man but his life likely will be destroyed if he stays.

Come morning there is a knock at the door. An Eritrean woman is holding Eitan’s wallet, dropped at the scene. Eitan is prepared to pay to keep the secret from the authorities and his wife. The price of silence is far more than money, his medical expertise and time. And so the coverup begins.

Gundar-Goshen’s training in psychology serves her well as she reveals the inner voices of Eitan, Liat, and Sirkit, the victim’s widow, each at different points in the novel. Eitan’s relocation to the desert was due to trying to maintain the moral high ground. Now, he is perpetually juggling, lying to his wife, lying to his colleagues, trying to keep up with the demands of a double life.

Liat, very accomplished but still a woman in a man’s world has to keep proving herself at work. At the same time, she is shouldering almost all the burden at home.  Eitan and Liat have always stood strong together and the changes are very unsettling.

Sirkit is an enigma. Seemingly untouched by grief, she redirects her energy into securing medical help for other refugees under cover of night.  Her story, both past and present, is far more complex.

Waking Lions is built layer upon layer. With each layer, more people and more questions of right and wrong, good and evil, are involved. Intricately interwoven are the deceptions that can destroy a marriage, the vulnerability of refugees, and the exploitative exercise of power. A New York Times notable book in 2017 and recipient of other accolades, this is an ideal read for individuals or groups who wrestle with issues of so prevalent today.

 

 

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A mystery within a mystery to watch for!

  • Magpie Murders by Anthony Horowitz (Harper, US release June 2017)
  • In 40 words or less: A London editor receives a mystery manuscript just as the author falls to his death. Despite her antipathy towards the author, Susan Ryeland is committed to finding the missing chapters and the real cause of Alan Conway’s death. Horowitz’s literary allusions and adroit wordplay make this a true joy.
  • Genre: Mystery
  • Locale: London and environs
  • Time: Contemporary
  • I’m a sucker for British whodunits. Horowitz is known to PBS viewers for his teleplays, Midsomer Murders and Foyle’s War. Magpie Murders pays homage to the great mystery writers and detectives with more than a little tongue-in-cheek. Horowitz’s literary allusions and adroit wordplay make this a true joy and a great choice to take anywhere this summer.

For some reason, British murder mysteries seemed so much more civilized than their American counterparts. Even when one victim’s head is removed by the sword from the suit of armor in the manor hall – rather hard to believe. It’s the air of gentility, found more often in those who have suffered reverses than those on the rise, and generations of community connections despite differing social strata. Villages are traversed by walking or biking, and city dwellers live in lovely row houses or quaint flats. All of these elements, plus the necessary school ties, are present in Magpie Murders. Rather than feeling trite, it is entertaining to see how Horowitz manages to bring all these elements together, stringing out the clues bit by bit.

It’s not a great surprise that Alan Conway, author and murder victim, is disliked by many who know him. He is the ticket to his small publishing house’s success as both his publisher and editor realize. Just as his latest manuscript in about to be delivered, Conway comes to London for a dinner with the publisher at a private club. Unfortunately, all does not go smoothly. So after the incomplete manuscript appears and Conway dies, his editor is highly motivated to find the missing conclusion and the answers. She soon learns that Conway’s final mystery has far too many parallels with the leads she is following.

Dan, my very supportive husband, often wonders how there can still be people in Britain given the number of poisonings, falls, stabbings and hunting accidents that occur under suspicious circumstances. Somehow the bucolic settings make crime seem oh, so different, from the flashing lights and screaming sirens of American crime stories. Crime is intensely personal and localized, motives deep-seated and clear.

For fans of classic British mysteries, there is so much to like. Horowitz is reveling in each allusion he scores and inside publishing barb he plants. If you are intrigued, this is your June read.  It is coming out next week, just in time to take along wherever you go this summer.

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