The Immortalists by Chloe Benjamin (G.P. Putnam’s Sons) January 2018; Penguin Audio, Maggie Hoffman – Narrator- In 40 words or less: Four young siblings, ages 9 – 13, seek out a fortune teller who predicts the date of each one’s death, unknown to the others. One by one, Benjamin reveals their lives, times, and choices, always with death at hand.
- Genre: Literary fiction
- Locale: Various, USA
- Time: 1969 – 2010
- Chloe Benjamin adeptly mixes iconic American locales with carefully selected elements of history and popular culture to tell a family story and ask the recurring question, “How would you live your life if you knew the number of your days?”
The Immortalists has haunted me for months. So appropriate for a novel created on the premise that knowledge, kept secret, may dictate the choices of one’s entire life.
Varya, Daniel, Klara, and Simon Gold are the children of Saul, a tailor, and Gertie, living on the Lower East Side in 1969. The children are second generation Jewish Americans, living in a community and world markedly different from their elders. Having heard rumors of a psychic, the four seek her out, and each is told the date of his/her death and that they must not share that information with anyone, ever.
One by one, Chloe Benjamin reveals each child’s path to adulthood. Though never discussed, this one afternoon is a burden that the four carry throughout their lives. In many ways, it is the secrets more than the information itself that color the relationships within the family and with those they touch.
It takes particular skill to craft a novel that balances the isolation and connection of a family from childhood. Chloe Benjamin uses carefully chose locales and time periods to reveal each personality and reflect the defining and oppressive nature of each person’s countdown clock.
In the news and in individual conversations, the devasting cost of keeping secrets is a common topic. As I turn over my continuing reaction to The Immortalists, I wonder how many choices in life are responses to secrets, overriding nature and nurture with fear.
This book is worthy of all the accolades it has received. I listened to the audiobook, and while I had small issues with the narrator’s voice choice for the mother, I was completely caught up from the first moment. It is the mark of a beautifully crafted novel when the reader wants to intervene in the lives of the characters. When the characters stay long after the final page, that’s a book that must be shared.
by 
Is it the story or the storyteller? I’ve just completed a three-month trial with Audible.com. Selecting titles was harder than expected. Unlike picking a book off the shelf, choosing an audiobook involves the content and the reader. And can those readers differ. I sampled a few titles I am itching to read in the hope they’d fit the bill. What I discovered is that tone, cadence and pacing all factor into the audiobook experience. In the sampling process you don’t always have the chance to hear how the reader handles different characters/voices, a critical feature in experiencing the story. As a result, there were several titles I immediately dismissed in this format. There are many people who only “read” via audiobooks. I’m not there and suspect I will only dabble in this medium. But for those are unable to view the written word or prefer listening, there are readers who truly elevate an author’s story. 
