Be transported with ‘Gateway to the Moon’

  • Gateway to the Moon by Mary Morris (Nan A. Talese, Doubleday) April 2018
  • In 40 words or less: Brilliant storytelling and character development propel the reader from the Spanish Inquisition/Expulsion and Columbus’s exploration to the desert of New Mexico five centuries later. Morris weaves together history, astronomy, human frailty, and the strength of family bonds across generations.
  • Genre: Literary fiction/Historical fiction
  • Locale: Spain, Portugal, New World, and New Mexico
  • Time: 1492-1500 and 1992
  • A rare novel combining two periods of discovery. Historical figures are carefully researched and noted as such in the listing of characters and families. Gateway to the Moon is also a coming of age story for a teen whose connection to the stars is his solace and path to the future.

As long as I’ve been in book groups I’ve searched for an engrossing novel that brings to life the conflicted period of Spain’s ascendancy as a world power and the injustices and horrors of the Inquisition and the Jews expulsion from Spain. Even less common are writings about those along on Columbus’s first expedition and what may have transpired with those left behind as the ships returned to Spain. Finally, there is a book that fills this void.

Mary Morris has the special hand required to mix history and historical figures with fictional characters with due respect to both. Even before Chapter 1 begins, Morris provides a framework for navigating the pathway from fact to fiction and back.

Miguel Torres has his feet in the dust of Entrada de la Luna and his eyes in the stars. A loner, he is fascinated by space and his thirst is recognized by his science teacher who works to keep him on the straight and narrow. Poverty and boredom are often the ticket to “juvie”, a brief trip Miguel has already taken. A chance sighting of an ad for someone to help with two small boys after school may be the way for Miguel to afford a better telescope and car money. Respectful of his elders, but in large measure raising himself, he’s dutiful about heading home Friday nights where his mother prepares the trailer for candle lighting.

The story shifts 500 years to 1492. Among those on Columbus’s ships as they left Spain in 1492 were linguists, navigators, and cartographers from the crypto-Jewish community who lives would have been at risk as the Inquisition and Expulsion pressures increased. Separated from their families, these men and boys held out hope they’d find a new home for themselves and their families at the end of their voyage. Through Luis de Torres, Columbus’s scribe, others on the ships and those left behind, Morris richly describes the fragmenting of families even as Columbus anticipates riches and glory.

This is a book filled with beautiful language. Descriptions provide just enough detail to conjure up pictures without detracting from the characters or plot. While Columbus and Miguel look to the stars for orientation, each of the other characters must adapt to the unexpected and does so in a fitting and natural way which isn’t easy to pull off.  Chapter titles provide orientation in time and place, and the character lists and genealogy at the front of the book are there in the event the reader is momentarily distracted from the story’s flow.

The Jazz Palace, Mary Morris’s previous book set in Chicago during the early years of the 20th century, took on history, the development of jazz, discrimination, and families. While that was a big undertaking, Gateway to the Moon takes on a bigger challenge and brings it home. Whether your taste runs to coming of age stories, hidden communities or history brought to life, you will find it in Gateway to the Moon. This is an ideal book for book groups and will quickly push its way to the top of your to-be-read pile.

 

 

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Taking in the big picture with ‘The Beauty Queen of Jerusalem’

  • The Beauty Queen of Jerusalem by Sarit Yishai-Levi (Thomas Dunne Books, translation 2016)
  • In 40 words or less: A window into the difficult life in Jerusalem primarily between the end of WWII and the beginnings of the State of Israel.  Yishai-Levi weaves together stories of four generations of a family descended from the exiles of the Spanish Inquisition.
  • Genre: Historical Fiction
  • Locale: Jerusalem
  • Time: 20th century
  • This book, a bestseller in Israel, is a cross between a love letter to the seven generations of Jerusalemites in her family before her and a revelation of genuine cultural elements that created the boundaries in which her characters lived. Ideal for book group discussion.

Sometimes the appeal of a book goes beyond the story.  Sarit Yishai-Levi’s novel is rare in time, setting and community.  For those Israelis descended from Spanish Jews who migrated to Jerusalem in the early 19th century or earlier (often via Greece), the language and culture of the Ermosa family and their neighbors ring true.

In the Spaniol community, it is vital that marriage partners come from within the community. Many of the marriages are arranged, formally or less so. For several generations, it has been the curse of the Ermosa men that they fall in love with unsuitable women. Reined in by their parents, they marry more “suitable” partners and live with a longing for what they have lost. This disaffection is similarly passed down from generation to generation.

The pivotal character in The Beauty Queen of Jerusalem is Luna, the eldest and most beautiful of the three Ermosa daughters. Luna is her father’s favorite but a thorn in her mother’s side. She aspires to a fashion magazine lifestyle, separating herself as much as possible from the expected path.

The family’s life is circumscribed by the neighborhood and the family business. The expectation is that daughters will receive a basic education, get married and settle near family, working in the store only if truly needed. Everyone lives in close quarters with none of the conveniences one might imagine of a merchant family in the 1940’s. Their world begins to change dramatically as local boys return from serving with the British in WWII. These young men are looking to establish themselves and to choose their partners. Some become a part of the growing cells working to undermine the British Army enforcing the Mandate. These are some of the external forces compelling change in Luna’s generation.

Most Israeli novels seen in the US marketplace have been written by men. These men are usually the sons or grandsons of Eastern European immigrants that arrived either in the pioneer days or came as a consequence of the Holocaust. Less frequent are writings by the descendants of Jews of the Middle East, North Africa or the Iberian peninsula. The strength of The Beauty Queen of Jerusalem is the window it provides into the lives of the deeply rooted community where Ladino, not Yiddish, is the language of the home, and the cultural orientation is to the Middle East, not Europe.  The success Yishai-Levi has received with this novel is as much a testament to the love she shows for her Sephardic roots as it is for the story she has told.

 

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