- The Pearl that Broke its Shell by Nadia Hashimi (Harper Collins, 2014)
- In 40 words or less: Two young Afghani women, separated by four generations, struggle to find their rightful places in their families and society.
- Genre: Historical fiction
- Locale: Afghanistan
- Time: Early 20th and early 21st centuries
- Read this to better understand the historical issues for women in Afghanistan, regardless of who is in power.
“I was a little girl and then I wasn’t. I was a bacha posh and then I wasn’t. I was a daughter and then I wasn’t. I was a mother and then I wasn’t.” Rahima at 15
At every turn, the women of The Pearl that Broke its Shell consider their naseeb or destiny. Nadia Hashimi novel reminds the reader how difficult it is for someone to break out of a preselected gender role where power and control are asserted physically and an ingrained belief in fate can quash any measure of independence.
Nadia Hashimi’s life experience is about as far from that of her character’s as one could get. Born in the U.S., she wrote this, her first novel, while a pediatric emergency physician in Washington, DC. Hashimi tells the tortured story of life in Afghanistan through the voices of Shekiba, a young girl orphaned in the early 20th century, and Rahima, her great-great-granddaughter born about a century later.
The world of Afghan women is dictated by strict societal norms. Arranged marriage at a very young age to someone chosen by male elders; bearing and raising children (preferably male); cooking and maintaining the collective home along with sisters-in-law and, possibly, other wives; bowing to the will of her husband, mother-in-law, and any senior wives. The wives are dependent upon one another for assistance and companionship, sharing family stories among themselves and with their girl children. And they are their sole source of knowledge about marriage, childbearing, and childcare since they often marry at thirteen or even earlier.
Shekiba was the only daughter of the outcast son in a large family that lived off the land. Maimed after a cooking accident, her father protected and educated her. After all of her immediate family succumbs to cholera, she is grudgingly taken in by her uncles, and grandmother and their families, becoming the house servant. She is tall and strong, so when the opportunity arises to better the family position, she is given to the ruler as a guard for his large harem. When it’s discovered that a man has entered the harem, her life changes yet again. All seemingly well before the age of twenty. And her life was just beginning.
Rahima is the third of five daughters, hearing the family stories from her unmarried great-aunt. Her father is often gone, a warring clansman for the ruler of the local area. Much of his pay is in opium, making life for his family even more difficult. Too often families prohibit girls from attending school or leaving their homes out of concern for interaction with local boys. Some families with only girls engage in a “wink-wink” subterfuge, dressing a girl as a boy to enable her/him to be educated, to take care of tasks such as going to the market, and possibly doing odd jobs to augment the family’s earnings. Rahima becomes one of such girls, a bacha posh, the existence of such a status indicating its acceptance. But before she even reaches puberty, she and her two older sisters are given in marriage to the ruler and his brothers to enrich her father’s family.
In The Pearl that Broke its Shell, juxtaposing the lives of individuals a century apart reminds the reader that despite the strides taken to improve the lot of women in Afghanistan, the tribal culture remains repressive and often dangerous. By creating brave and vivid female characters, Hashimi raised the awareness of the plight of many Afghani women in a way that news articles rarely do. This was a wonderful discussion book for a group I led earlier this week.